Issue No. 160
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This giant of postwar documentary photography – one with more than 200-plus books to his credit – has sometimes been called the Italian Cartier-Bresson, but Gardin has put his own unmistakable imprint on the medium in photographs unparalleled for their elegance, wit, power and profanity. Still going strong in his ninth decade, he takes us through his extraordinary life and career in this exclusive interview.
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